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17 février

La Pia. Dante. 1868-1880

 
“Ah! when on earth thy voice again is heard
And there from the long road hast rested thee,”
(After the second spirit said the third,)
“Remember me who am La Pia: me
From Siena sprung & by Maremma dead:
This in his inmost heart well knoweth he
With whose fair jewel I was ringed and wed.”
 
from Dante's Purgatorio
translated by DG Rossetti

The verse was eventually printed on the frame of the picture.
 
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15 février

Elizabeth (Lizzie) Siddal (1829-1862)


Elizabeth Siddal at ArtMagick
 
One face looks out from all his canvases,
One selfsame figure sits or walks or leans:
We found her hidden just behind those screens,
That mirror gave back all her loveliness.
A queen in opal or in ruby dress,
A nameless girl in freshest summer-greens,
A saint, an angel - every canvas means
The same one meaning, neither more nor less.
He feeds upon her face by day and night,
And she with true kind eyes looks back on him,
Fair as the moon and joyful as the light:
Not wan with waiting, not with sorrow dim;
Not as she is, but was when hope shone bright;
Not as she is, but as she fills his dream.
 
~Christina Rossetti, In an Artist's Studio (1856)
 
 

The Pre-Raphaelite Brotherhood


The Pre-Raphaelite Brotherhood

from 'My Beautiful Lady'
 
by Thomas Woolner (1825–1892)

Edmund Clarence Stedman, ed. (1833–1908)
A Victorian Anthology, 1837–1895.   1895.
  
I love my Lady; she is very fair; 
Her brow is wan, and bound by simple hair; 
  Her spirit sits aloof, and high, 
  But glances from her tender eye 
    In sweetness droopingly.
 
As a young forest while the wind drives through, 
My life is stirr’d when she breaks on my view; 
  Her beauty grants my will no choice 
  But silent awe, till she rejoice 
    My longing with her voice.
 
Her warbling voice, though ever low and mild, 
Oft makes me feel as strong wine would a child; 
  And though her hand be airy light 
  Of touch, it moves me with its might, 
    As would a sudden fright. 
 
A hawk high pois’d in air, whose nerv’d wing-tips 
Tremble with might suppress’d, before he dips, 
  In vigilance, scarce more intense 
  Than I, when her voice holds my sense 
    Contented in suspense.
 
Her mention of a thing, august or poor, 
Makes it far nobler than it was before: 
  As where the sun strikes life will gush, 
  And what is pale receive a flush, 
    Rich hues, a richer blush.
 
My Lady’s name, when I hear strangers use, 
Not meaning her, to me sounds lax misuse; 
  I love none but my Lady’s name; 
  Moud, Grace, Rose, Marian, all the same, 
    Are harsh, or blank and tame.
 
My Lady walks as I have watch’d a swan 
Swim where a glory on the water shone: 
  There ends of willow braches ride, 
  Quivering in the flowing tide, 
    By the deep river’s side.
 
Fresh beauties, howsoe’er she moves, are stirr’d: 
As the sunn’d bosom of a humming bird 
  At each pant lifts some fiery hue, 
  Fierce gold, bewildering green or blue; 
    The same, yet ever new....

The Rossetti Archive ('My Beautiful Lady,' Scholarly Commentary)

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11 février

Saint George and the Princess Sabra, 1862 & 1857


Supported web browsers for The Rossetti Archive include Mozilla Firefox and Mac Safari.
 

Literary

The legend of St. George (the patron saint of England) and the dragon is essentially the same as the legend of Perseus and Andromeda. Widely dispersed as the legend is, all versions include the following bare narrative. Terrorized by a dragon, a town is forced by the monster to sacrifice a young girl each day to him. When St. George learns of this and that the Princess Sabra is his latest intended victim, he attacks the monster, finally defeats him, and completes his triumph with his marriage to the princess.